A New Book Cover for Sleep Savannah Sleep


Sometimes, as much as you love your book cover, you have to admit that it just isn’t right – that even though it’s good, it could be better. That’s the conclusion I recently drew with my novel, Sleep Savannah Sleep. Don’t get me wrong: I love the original cover art for this book. From the spindly tree branches and fog to the owl perched on the gravestone and the rich, mouthwatering purple sky, it has all the makings of a respectable book cover of its genre … but it just isn’t focused enough. It doesn’t say what it needs to. 

Sleep Savannah Sleep is a paranormal murder mystery that goes heavy on the horror. It’s chock-full of deadly small-town secrets, nasty slander, jealous husbands, crooked cops, murder and ghosts – or a ghost, anyway. There are some pretty serious scares here, something that I believe the cover art should more clearly express. The owl is cute and all but the fact is, it doesn’t scare me – and I want to be scared.

That’s why I decided it was time to revisit the artwork for this book. My cover artist, Mike – who is an absolute genius – allows me to watch as he does the design work, allowing me to make suggestions and give feedback as he goes along. The temptation here, of course, is to get a little too involved in the process and forget who the professional designer is (SPOILER ALERT: it isn’t me.) This is what happened with the first Savannah cover, and it almost happened with the new one, too. 

But luckily, I don’t travel alone. I always, always take my collaborator, Tamara Thorne, as well as my publicist, Berlin, with me to my design meetings and the reason is simple: The more eyes, the better the result. But not only do these lovely ladies see things I don’t, they also keep me from getting too fixated on an idea. Such was the case during the making of the new Savannah cover today. I wanted a cemetery. And a ghost. And fog. And trees. And a moon. Needless to say, it was overcrowded. It wasn’t working and we all knew it – and that’s when Tamara suggested a new idea. She explained her basic vision and I was sold. Thirty minutes later I had a new cover for Sleep Savannah Sleep – and I love it.

I really think this one captures the mood and atmosphere of this story. Savannah is a macabre jaunt into the unknown, a walk in the darkness all by yourself … and now the artwork makes me feel it. Now I really believe it … 

Thanks go to Mike for making it, Berlin for prying me off my ideals, and Tamara for her idea 

Published by Alistair Cross

Alistair Cross grew up on horror novels and scary movies, and by the age of eight, began writing his own stories. First published in 2012, he has since co-authored The Cliffhouse Haunting and Mother with Tamara Thorne and is working on several other projects. His debut solo novel, The Crimson Corset, was an Amazon bestseller. The Black Wasp, book 3 in The Vampires of Crimson Cove series is on its way. Find out more about him at: http://alistaircross.com ********************************************************************************************* In collaboration, Thorne and Cross are currently writing several novels, including the next volume in the continuing gothic series, The Ravencrest Saga. Their first novel, The Cliffhouse Haunting, was an immediate bestseller. Together, they hosted the horror-themed radio show Thorne & Cross: Haunted Nights LIVE! which featured such guests as Anne Rice of The Vampire Chronicles, Charlaine Harris of the Southern Vampire Mysteries and basis of the HBO series True Blood, Jeff Lindsay, author of the Dexter novels, Jay Bonansinga of The Walking Dead series, Laurell K. Hamilton of the Anita Blake novels, Peter Atkins, screenwriter of Hellraiser 2, 3, and 4, worldwide bestseller V.C. Andrews, Kim Harrison of the Hollows series, and New York Times best sellers Preston & Child, Christopher Rice, and Christopher Moore. ********************************************************************************************** Currently, Thorne & Cross are hosts of Thorne & Cross: Carnival Macabre, where listeners can discover all manner of demented delights, unearth terrifying treasures, and explore the dark side of the arts.

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